![]() If you have any further questions, be sure to let us know in the comments.We recently mentioned that macOS Big Sur includes a new version of Safari with several enhancements, including support for HDR videos. ![]() So, that's HDR video recording on your iPhone, and why it's so important. So if higher frame rate video is important to you, go Pro. By the way, if you're still trying to decide which iPhone to get between the new iPhone 12 series, know that the iPhone 12 and iPhone 12 mini can record in HDR at 4K at 30 frames per second, while the iPhone 12 Pro and iPhone 12 Pro Max can record in HDR at 4K at 60 frames per second. Recording directly in Dolby Vision is a truly impressive feature that's sure to be improved upon in successive iPhones. Most Dolby Vision displays can't yet display 12-bit content, but hopefully soon, they will. While it's excellent that Dolby Vision supports it, that seems to be more a bit of future-proofing than anything else. And now, your iPhone can capture that dynamic metadata and process it in real-time right on the phone.Īs for popularity, while HDR10+ might be a dynamic format, too, it doesn't have nearly the adoption of Dolby Vision.Īlso, 12-bit color depth isn't such a big deal just yet. Because that scene-to-scene data offers a more robust and more accurate experience than HDR10, it's more capable of showing a truly accurate representation of what you captured. This is where Dolby Vision's dynamic metadata comes into play and why it's genuinely a superior format to HDR10. At 700 million, iPhone 12 is more in the range of HDR10 and HDR10+. That might sound like a lot, but remember that at 12-bit color depth, Dolby Vision is capable of 68.7 billion colors. The iPhone 12 only captures 700 million colors. Now, why Dolby Vision? It comes down to two things: dynamic metadata and popularity. Meanwhile, the Photos app has several filters that you can put on your Dolby Vision content to get just the look you want, and you can AirPlay Dolby Vision video right to a compatible display or Apple TV. iMovie even makes it relatively easy to export HDR video to SDR, in case you need to share it on a platform where HDR support isn't robust just yet. Photos, iMovie, and Apple's Clips app all support editing Dolby Vision content shot on iPhone. You'll still have to do things like color grading if you want your video to fit your perfect vision, but a large part of that work is now done as you capture.Īnd importantly, you can also edit this content right on your iPhone. Well, first, the reason to do it is that it's really cool! It also takes a massive part of the workflow, formatting something in Dolby Vision, and brings it right into the capture process. So, why is this Dolby Vision? Why not just shoot in HDR10 or even HDR10+? Why shoot directly in HDR at all? So as I alluded to previously, the iPhone 12 only shoots in 10-bit HDR when shooting in Dolby Vision versus the format's support for 12-bit color depth. Meanwhile, content producers have to pay Dolby to license Dolby Vision, but for many, the results are good enough to be worth the price. Even HDR10+, while an enhancement and not open source, is a royalty-free format. But one big reason to stick with HDR10 is this: it's open source. So, why use HDR10 at all over Dolby Vision? Well, the truth is that most production houses do both because they're relatively easy to master simultaneously, since they're built on the same HDR core. Dolby Vision also supports a much greater peak brightness. What this means, on a practical level, is that Dolby Vision supports a much broader set of colors than HDR10 and HDR10+ (68.7 billion vs. For instance, HDR10 and HDR10+ are both limited to 10-bit color depth, while Dolby Vision can support up to 12-bit, though on iPhone 12, HDR capture is limited to 10-bit. There are other technical details to be aware of, as well. This helps every scene or frame be the most accurate representation of the creator's vision that it can be. With this data, displays that work with Dolby Vision content can adjust their settings automatically per scene or even per-frame. On the other hand, Dolby Vision is dynamic, so, as I also previously noted, has scene-by-scene metadata. This is set by finding the peak brightness of the brightest scene in the piece. With static metadata, the range of brightness (key for HDR content) is set once for an entire piece of content. This is where Dolby Vision holds its real advantage. ![]() As I previously stated, HDR10 is a static format, while Dolby Vision is a dynamic one. There are specific significant technical differences between the two formats, but the biggest one is about metadata. ![]()
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